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This film was photographed
with a home-made pinhole movie camera (which cost far less than
the roll of 7245 that it was shot on!). The resulting technique
does not have stable frame registration, and as such evokes an idea
of what might be called "unnamed vision," in which the
visual field is not always identifiable objects. The idea
here is that this is perhaps how a bee sees -- a constantly shifting
field of colors, which is stable or peristent enough that the principle
object of a bee's attention -- flowers -- are identifiable, but
not stable enough to provide the absolute stability that humans
are used to. Instead, we get less of what we're used to and
more of something else -- more of the scintillating patterns of
color and light that we are accustomed to ignore. |